| |
Parts of this novel are brilliant, but Eco does not seem to know what he wants this novel to be. For example, he spends a portion of the book documenting the rise of the Italian city-states, finally focusing on one city and its inhabitants with convincing detail and conflict, only to discard it - just when the situation gets interesting - in favor of a lackluster quest to return the Holy Grail to Prestor John's kingdom. The books covers events that occurred throughout Europe, and somehow (is it his liar's tongue?) Baudolino is always there with his hand stirring up history. Eco devotes huge sections to war, mythological beings, and long treatises on the theological questions of the times. He seems to want to cram everything he knows about the Middle Ages into this novel: myths, misconceptions, historical figures, theological debates, politics. Unfortunately, by not building his story around one or two of these elements, he has ended up with a scattered novel that can be compelling one minute and excruciatingly dull the next. The motivations of the characters are often weak, although sometimes the characters spring up with unexpected vividness, only to fade away once again. I wish Eco had spent more time with the human moments of the Middle Ages to give this era life.
|